Understanding Mahishasura Mardini Stotram, Benefits, Meaning, for killing arrogance: An Astrological compendium to understand goddess Durga and nine planets

Introduction

Mahishasura Mardini stotram is based on Devi mahatmyam in which Devi takes the forms of Durga in Chandika Form to slay Mahishasura. This stotra is said to have been composed or been dedicated to Ramakrishna Kavi as well as Sri Adi Shankaracharya both. Detailed Story of Mahisasura is available in Durga Saptashati in chapter 2,3 and 4 and also can be found in Devi Mahatamaya or Devi Bhagwati puraan. Mahisahasura Mardini is the stotra of Maa Duraga Narrated in Chandi path in Durga Sapatashati. This stotra is named Mhishasura Mardini as Maa Durga has defeated demon Mahisasura while taking chandi form. Maa Durga is the primitive source of all power as she is Shakti avtaar; she is residing with much qualities and powers and known by various names. Story begins when Mahishasura the king of Asura got boon from Lord Bramha and defeated all Devas and driven them out of Heaven.

-Maa Durga is an Adi Shakti who conquers all the fears inside any soul, who kills anger, grudge , rage and ego to driven away all the negativity reside in mind, body and soul. To get Blessings of Maa Durga one need to surrender toward her totally, then she will able to purify the devotee in her own way. To gain the powers of Maa Durga to win in any battle or conquer any fear or challenge , reciting Mahishasura Mardini regularly with much devotion is a blessing. Devi Maa will help you to win the Battle and gives victory in all your Work. Reciting Mahishasura Mardini will overwhelm all sorrows from your Life. You will be blessed by Powers of Maa Durga as she defeat demon Mahisasura. You can read Mahishasura Mardini also at your home.This stotram has vital role with Navaratri festival when devotees worship Maa durga in 9 forms  of Durga , as it contains the key message of Sri Chandi Path.

Mahishasura Mardini Stotram or Mahishasur Maridhini Sloka is a very powerful and popular stotra of Goddess Durga in the praise of divine mother written by Guru Adi Sankaracharya after Saundarya lahiri ( Praising the beauty of Maa Parvathi). Devotees Should chant this for victory over calamities and mitigation of their negative karma.

The essence of Mahishasura Mardini Stotram

 

 

Astrologically Bull symbolises the Mahisasura which signifies over ambition, Aggression, over confidence, Power, Unpredictable nature, Perseverance and male Fertility. it is a symbol of fertility through sacrifice.Bull being a Taurus sign seen for the arrogance (bully nature), direction-less ambitions, fighting nature, hunger for power, pride and excessive sexual desires those are uncontrollable for any being if it is being afflicted by the Nodes and Rajasic Planets.  Symbolically bull is masculine in nature so there is an implication of the bull signifies strength,valor , over aggression and male fertilisation, the more you preserve the fertility more you have strength, valor and courage to fight and more you can balance your mundane desires those are moving aimlessly or direction less in nature. The more you loose Veera (the Male fertility) , more you loose control over you anger, balance and the more you feel weak internally and physically.  Historically it is a symbol of fighting ability and male fertility that gives valor and magnanimity.In Spiritual Reality, over sexual desires leads to higher passion, Aggression, and loose control of temper for every men, ultimately it  will leads to many weaknesses which generates fear of losing power inside any soul which is symbolically represented by the Mahishasura, is a  Bull (Taurus) that shows to get anything in any cost and The goddess Chandika (Rising Moon in Shuakal Pakasha ) represents the trans-formative and filtering power and with the help of divine mother force any men can conquer  their asuric tendencies as seen in the form Mahishasura in them. In Vedic Trends Chanda or chandals represents those who are mean , having higher passion, anger prone, or cruelty in their nature. Logically they shows animalistic and impurity in soul.

When such qualities are in excessive quantities it is called as called chandalas or those who lives in Tamas Guna means considered as impure, devoid of pure energy required to reach higher chakras.  Mahaishasura as The buffalo represents brutality and vile human nature.Two horns signifies the evil hidden in creation. This is the reason why the battle between Maa Chandika and Mahisha asura is symbolism  of the battle between good and evil.Even it also shows the transformative process human beings can purify their animalistic sexual nature present in mind and body and only divine mother has that capability to turn a animal into human. One, who aspire to purify their minds and bodies should unconditionally surrender  to Divine Mother durga, surrendering unconditionally to her would take up the responsibility of your life and transform you miraculously.Thus, Reciting Mahisasura Mardini and reading about the story of Mahisasura represents the deeper and a higher spiritual lessons for those are  seeking liberation.

Those who are facing trouble in controlling higher desires and passions because of the animalistic nature (tamas) in mind and body and always feel restless, lack of peace and instability in their spiritual practice, they should pray to the Mother Goddess  Durga to transform them into a positive person with the preponderance of sattva Guna. The Divine Mother will help you to control your animalistic passions and become a divine and pious person even She will helps you in destroying your evil karma to move further in the path of higher liberation or mukti from all mundane desires.

Maa Durga and story of Mahishasura

Story of Battle between Maa Durga and Mahisahsura  lying from the Deva and Asura Sangram when Devas were defeated by the Asuras and they were controlling by the Demons. Thousands of years ago, there was a Demon called Mahishasura. He was part demon and part buffalo born from the union of the Asura Rambha and Beautiful female Buffalo Mahisi actually the princess Shyamala cursed to be a buffalo.

Later Mahishasura meditated for thousands of years so he could please Lord Brahma and in return be blessed with immortality and power. After much penance,  Lord Brahma came to him and said, “I am very pleased with your devotion. Ask me any boon that you desire.”

The arrogant Mahishasura said, “Lord, I don’t want any man or God to be able to kill me and only i can be killed  by a women.”

Armed with this boon, Mahishasura considered himself immortal, as no man or God could lay hands on him. He went berserk. In his rage and pride, he practically destroyed the Earth. The lands were soon covered in his darkness and his massacres were widespread. Not only that, he chased away the Gods out of heaven.

Scared, the Gods went running to Brahma, Vishnu and Shiva and narrated their misfortune.They pleaded for protection and said that if something was not done soon, the heavens and the earth and all the beings there, would be destroyed.The lords Brahma, Vishnu and Shiva were hopping mad. They conferred for a moment. And then they held each other and started to radiate a blinding light. A light never seen before. A light so bright, that even the sun paled in comparison. Seeing this, the other Gods also joined in and the light shone even brighter. Out of this beautiful light, was born the ten armed Goddess Durga, the embodiment of Adi Shakti.

Being a woman, there was nothing stopping Goddess Durga from killing Mahishasura, as his boon only protected him from men and Gods. Such was the cunning and smartness of Lord Brahma.

One by one the gods approached her and gifted her a dazzling array of weapons.

The mighty Sudarshan chakra was given to her by Lord Vishnu.

Lord Shiva gave her a dangerous Trishul.

She got a Quiver full of arrows from Lord Varuna, the God of the Sea.

Lord Yama, the God of Death, gave her a powerful Sceptre.

Lord Indra, a Thunderbolt, to rattle the earth.

Lord Vishwakarma, the Architect of the Gods, a menacing axe.

Kaal, or Time, gave her a sharp sword.

She got a kamandal, or pitcher, from Lord Brahma.

Agni gifted a flaming dart.

Airavata, Indra’s white elephant, gave Goddess Durga a bell.

Its noise helped her confuse the demons.

The mighty Himalayas gave Goddess Durga a lion to ride upon.

Armed with ten weapons gifted to her by the gods, one for each arm, she looked ready to show Mahishasura who the boss was and went into battle with him.

Maa Durga battled Mahishasura for ten whole days.

On the tenth day, she managed to chop off his head with her sword.

This shows the essence of why Navaratri festival is to be celebrated for 9 days and then in 10th days victory is to be celebrated after defeating and slaying the demon.

(Source: http://mocomi.com/)

Astrological Importance of Devotion of Maa Durga

 

In astrological importance Worshipping of the Maa Durga and Maha Kali has dependent on the phases of Moon ( 4th house – House of aspiration for Bhakti Marg and Moksh) and Moon being Karka of Mother represented by the Divine Mother and Goddess Devi Bhagwati (Durga).  Strength of the moon in Natal chart in between the two phases shows which which Form of the divine mother helping us in conquering our desires, and we should seek divine blessings to kill our Demon in resides in our mind, body and soul.When Moon is stronger in Shukla pakasha  is well placed in chart it shows the blessings of  Mother Durga and when Moon is weak or debilitated in Krishna Paksha it shows the form of Bhadra kali or blessings of Maa Kali to conquer the negative traits those are controlled by mind.

One can worship Goddess Durga/Kali based on the position of the moon in natal, Karkamsa and D20 chart after analysing the paksha bala and influencing of various planets on Moon  :

Below are following information on Form of Divine mother based on Moon signs placements in different signs, as seen in any chart:

1) When Moon is in Aries it  Shows Mother Chamunda (those who kills Chand and Mund, highly aggressive in nature shows nature of Mars with it is with moon).

2) When Moon is in Taurus it shows the motherly figure form of Durga so it should give worshipping of  Maa durga, as rahu Mool trikona sign is taurus.

3) When Moon is in Gemini it also shows Durga when divine Mother helps her devotee to get their budhi in right path as its exaltation sign is Rahu exaltation where one need to seek right devotion rather than moving toward unrighteous path.

4)  When moon is in Cancer it shows Goddess Kali, the natural House of Kali when mother sits in the natural sign of Moksha and bhakti and aspires devotee toward true devotion to sacrifice all the comforts and seek dark deity in motherly form for mukti and bhakti.

5) Moon in Leo shows the form of Kali who is in fierce form ready to burn the Kundalini of devotee in right path for perfect Sadhana.6) When Moon is in Virgo it shows the  Durga who is intelligent enough to guide the devotee budhi in right dharmic and Karmic path.7) When Moon is in  Libra it shows the form of Kali who is encouraging the devotee the follow the path of right dharma when it is a matter of Karmic relations.

8) When moon is in Scorpio it shows the form of  Kali as moon start getting weaker in this sign where Dark energies rises too in this sign, so to get protection from those energies worshipping kali is always best suggested in Asthami tithi in Krishna pakasha. Astrologically its Ketu own sign too.

9) When Moon is in Sagittarius it also shows the form of  Kali where devotees are in deep sadhana for awakening their kundalini Shakti for getting higher spiritual and dharmic wisdom. Astrologically Ketu gets exaltated here.

10) When Moon is in Capricorn it shows the form of  Kali where she sits in Shamshaan where devotes aspires for getting the siddh sadhana or blessings in their path. Devotees here are very good in sadhana too. Here goddess kali guides devotees toward right path for moksha.

11) When Moon is in Aquarius it shows the form of Durga the own mooltrikona sign of  Rahu where Mother durga kills the internal Kama,  hidden desires those are hurdles in the path of true wisdom and true spirituality. Here devotees need to surrender their desires in order to get blessings from Maa durga.

12) when Moon is in Pisces it shows the form  Kali, the Mool-trikona sign  of Ketu where divine mother aspires devotees toward moving in the path of Moksha and for understanding true sadhna and diving deep in bhakti and spirituality.

For understanding the true nature of  Divine mother as Natural Ishata from Natal chart one need to check the relation of Moon with other planets in D1, D9 ( trines from Karkamsa) and D20 chart ( Moon and trines/lord from D20 lagana). Most important relation or influence with the 5th house/Lord is most important in understanding which Deity is influencing us in our bhakti marg it could be of Shiva, Gauri or Vishnu but when that planet is influenced by the Moon it changes its form in Devi form (Either Durga/Kali, depending on Pakasha bala of moon). For e.g If  Moon is placed in the 5th house influenced by mars  then it shows the form of  Chamunda. When Moon is influenced  with the Saturn then it shows the form of  Kali. When Moon is with Ketu house in 5th house or it is being influenced by the Ketu or  it is placed in sign of Mars it also shows Kali. When Moon is placed with Rahu either in 5th or trines to lagana it shows the form of  Durga. Even Rahu alone in 5th house shows the form of Durga as Natural deity in chart. The Same principal we can See from trine from Karka amsa too, When Moon, Saturn, Mars or Rahu falls in trine from Karkamasa it also shows the form of devi depending on the which sign they are placed. Usually Watery signs shows the Devi form and Fiery  and Dual Signs shows Vishnu form as Natural Deity but  before approaching to natural deity one must need to thoroughly analyse the D20 chart. Even Placement of Venus with Rahu or Moon also shows form of Maha-maya as in  Maha-laxmi form or can say one of Shakti peeth of Devi. When  Moon is  influenced by Mercury it shows the form of  Tripura Sundari  or form of Lalita Devi.

 

Even we can further Divides Goddess Durga 9 forms in different planets as worshipped during Navratri.

1) Sun Shows worshiping of  Shailputri
2) Moon Shows gauri
3) Mars shows form of  Skanda Mata
4) Mercury shows form of  Katyayani Mata
5) Jupiter shows form of  Brahmacharini
6) Venus shows form of  Kushmandi
7) Saturn shows fierce form of  Kalaratri
8) Rahu shows  Chandraganta

9) Ketu shows Siddhidatri

Now, coming to main essence of Reciting Mahishsura Mardini Stotra helps one to get victory over all difficulties in life. So, here is the stotra for same as translated by S.N Sastri composed by Adi Shankaracharya.

Mahishasura Mardini Stotram

 

 

(English translation by S.N.Sastri)

अयि गिरिनन्दिनि नन्दितमेदिनि विश्वविनोदिनि नन्दिनुते

गिरिवरविन्ध्यशिरोऽधिनिवासिनि विष्णुविलासिनि जिष्णुनुते ।

 

भगवति हे शितिकण्ठकुटुम्बिनि भूरिकुटुम्बिनि भूरिकृते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १ ॥

 

1. O Daughter of the Mountain, who delight the earth, who make the whole universe enjoy, who are praised by Nandikesvara, who dwell on the summit of the king of mountains, the Vindhyas, who took the form of the consort of Vishnu (as Lakshmi), who are praised by Indra, O consort of Siva (the blue-necked), who have innumerable families, who are the Creatrix of the whole universe, who slew the demon Mahisha, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

सुरवरवर्षिणि दुर्धरधर्षिणि दुर्मुखमर्षिणि हर्षरते

त्रिभुवनपोषिणि शङ्करतोषिणि किल्बिषमोषिणि घोषरते

 

दनुजनिरोषिणि दितिसुतरोषिणि दुर्मदशोषिणि सिन्धुसुते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ २ ॥

2. O Daughter of the Mountain, who delight Indra, who crushed the demon Durdhara, who subdued Durmukha, who are immersed in bliss, who nourish all the three worlds, who make Sankara happy, who remove all sins, who delight in celebration, who are angry with Asuras, who destroy evil pride, who destroyed the demon Durdama, who was born as the daughter of the ocean (as Lakshmi), who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

 

अयि जगदम्ब मदम्ब कदम्ब वनप्रियवासिनि हासरते

शिखरि शिरोमणि तुङ्गहिमलय शृङ्गनिजालय मध्यगते ।

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मधुमधुरे मधुकैटभगञ्जिनि कैटभभञ्जिनि रासरते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ३ ॥

3. O Mother of the universe, who enjoy dwelling in Kadambavana, who is anointed with perfume, who sport a gentle smile, who dwell in Your abode on the peak of the lofty Himalaya mountain, the crest-jewel among mountains, who enjoy the sweetness of honey, who slew Madhu and Kaitabha, who destroy all sins, who delight in the Raasa dance, who crushed Mahishasura, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

अयि शतखण्ड विखण्डितरुण्ड वितुण्डितशुण्द गजाधिपते

रिपुगजगण्ड विदारणचण्ड पराक्रमशुण्ड मृगाधिपते ।

 

निजभुजदण्ड निपातितखण्ड विपातितमुण्ड भटाधिपते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ४ ॥

 

4. You who eliminated Dhoomralochana and hundreds pf Dhoomras by a mere ‘humkaara’, who slew in battle numerous Raktabijas who rose up from the blood of Raktabija who was weakened in the fight, and, wonder of wonders, who slew in a mighty battle Sumbha, Nisumbha, and the arrogant leaders of the ghosts, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

अयि रणदुर्मद शत्रुवधोदित दुर्धरनिर्जर शक्तिभृते

चतुरविचार धुरीणमहाशिव दूतकृत प्रमथाधिपते ।

 

दुरितदुरीह दुराशयदुर्मति दानवदुत कृतान्तमते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ५ ॥

 

5. You who cut down with the weapon known as ‘Satakhanda’ the heads and trunks of mighty elephants, whose mount is the powerful lion which killed the elephants of the enemy with severe blows on their necks, who killed the ferocious generals of the army of Bhandasura with blows by
your hand, You who have charming locks of hair, O Daughter of the  Mountain, hail unto You, hail unto You.

अयि शरणागत वैरिवधुवर वीरवराभय दायकरे

त्रिभुवनमस्तक शुलविरोधि शिरोऽधिकृतामल शुलकरे ।

 

दुमिदुमितामर धुन्दुभिनादमहोमुखरीकृत दिङ्मकरे

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ६ ॥

 

6. You whose clinging bangles shine by contact with your body in the festival of the battle with bows, whose enemies are killed by blows on the back of their necks with the weapon known as ‘Sringa’ which is resplendent like gold and yellow in colour, and adorns your hip, You whohave charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

अयि निजहुङ्कृति मात्रनिराकृत धूम्रविलोचन धूम्रशते

समरविशोषित शोणितबीज समुद्भवशोणित बीजलते ।

 

शिवशिवशुम्भ निशुम्भमहाहव तर्पितभूत पिशाचरते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ७ ॥

 

7. O You whose might remains unbearable even after the burden has been removed by the slaying of arrogant enemies in battle, who made Siva Your messenger—Siva who is foremost in the art of discriminating between right and wrong, who slew the demon messenger who was sinful, cruel, and evil-minded, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

धनुरनुषङ्ग रणक्षणसङ्ग परिस्फुरदङ्ग नटत्कटके

कनकपिशङ्ग पृषत्कनिषङ्ग रसद्भटशृङ्ग हताबटुके ।

 

कृतचतुरङ्ग बलक्षितिरङ्ग घटद्बहुरङ्ग रटद्बटुके

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ८ ॥

 

8. You whose hands gave protection and boons to the brave husbands of the women in the enemy’s camp who surrendered themselves to You, who wield in Your hand for the slaying of enemies the sanctified trident which removes the sorrows of all the three worlds, who make the quarters resound with the divine musical instrument known as ‘Dundubhi’, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

सुरललना ततथेयि तथेयि कृताभिनयोदर नृत्यरते

कृत कुकुथः कुकुथो गडदादिकताल कुतूहल गानरते ।

 

धुधुकुट धुक्कुट धिंधिमित ध्वनि धीर मृदंग निनादरते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ९ ॥

 

9. You whose praises are sung by people ever eager to praise You with charming words like ‘victory to You’, who captivate even Siva, the Lord of all beings with the clinging sound of Your anklets, who are fond of dancing with Siva in the sport in which He dances as Ardhanareeswara, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

जय जय जप्य जयेजयशब्द परस्तुति तत्परविश्वनुते

झणझणझिञ्झिमि झिङ्कृत नूपुरशिञ्जितमोहित भूतपते ।

 

नटित नटार्ध नटी नट नायक नाटितनाट्य सुगानरते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १० ॥

 

10. You who are supremely lustrous and decorated by the flowers in the form of the charming minds of the good, who shine like the moon for the lotuses in a lotus-pond, the movement of whose charming eyes gives the impression of hovering bees, You who have charming locks of hair, O

Daughter of the Mountain, hail unto You, hail unto You.

अयि सुमनःसुमनःसुमनः सुमनःसुमनोहरकान्तियुते

श्रितरजनी रजनीरजनी रजनीरजनी करवक्त्रवृते ।

 

सुनयनविभ्रमर भ्रमरभ्रमर भ्रमरभ्रमराधिपते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ ११ ॥

 

11. You who are fond of the sport in the form of a mighty battle against groups of mighty warriors, who are surrounded by hunters who build their huts with creepers and forest tribes known as Mallikas, Jhillikas and Bhillikas, whose body is soft like the beautiful tender red leaf, You

who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

सहितमहाहव मल्लमतल्लिक मल्लितरल्लक मल्लरते

विरचितवल्लिक पल्लिकमल्लिक झिल्लिकभिल्लिक वर्गवृते ।

 

शितकृतफुल्ल समुल्लसितारुण तल्लजपल्लव सल्ललिते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १२ ॥

12. You whose gait is like that of a well-nourished lordly elephant in rut along whose cheeks there is an abundant flow of ichor, You who took the form of Goddess Lakshmi, the daughter of the ocean of milk which is the place of origin of the moon which is the eternal ornament of the three worlds, who captivate even Manmatha who captivates the minds of beautiful women full of desire, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

अविरलगण्ड गलन्मदमेदुर मत्तमतङ्गजराजपते

त्रिभुवनभूषण भूतकलानिधि रूपपयोनिधि राजसुते ।

 

अयि सुदतीजन लालसमानस मोहन मन्मथराजसुते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १३ ॥

 

13. O You whose forehead is incomparable and is lustrous like a tender beautiful lotus petal, who are the repository of all kinds of dances and are like the gently cooing swan, in whose hair there is an array of bees, whose hair is adorned with a garland of beautiful flowers, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

कमलदलामल कोमलकान्ति कलाकलितामल भाललते

सकलविलास कलानिलयक्रम केलिचलत्कल हंसकुले ।

 

अलिकुलसङ्कुल कुवलयमण्डल मौलिमिलद्बकुलालिकुले

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १४ ॥

 

14. You who put to shame even the koel with the sweet tunes spreading out from Your flute, who move about among the creepers in the Kailasa mountain, who enjoy the dances of Your divine damsels and various other sports, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

करमुरलीरव वीजितकूजित लज्जितकोकिल मञ्जुमते

मिलितपुलिन्द मनोहरगुञ्जित रञ्जितशैल निकुञ्जगते ।

 

निजगणभूत महाशबरीगण सद्गुणसम्भृत केलितले

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १५ ॥

 

15. You set at nought even the splendour of the moon with the charm of your reddish body, black locks of hair and the yellow robe worn around the waist, whose toe-nails shine with the resplendence of the gems in the crowns of the gods and asuras who prostrate before You, whose high breasts quiver as if by the force of the torrents of water flowing down from the summits of the Meru mountain which was conquered by Lord Siva, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

कटितटपीत दुकूलविचित्र मयुखतिरस्कृत चन्द्ररुचे

प्रणतसुरासुर मौलिमणिस्फुर दंशुलसन्नख चन्द्ररुचे

 

जितकनकाचल मौलिमदोर्जित निर्भरकुञ्जर कुम्भकुचे

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १६ ॥

 

16. You who by Your splendour defeat even the sun with thousands of rays, You who are prostrated to by the sun god with his thousands of rays, You who were praised by the son of Tarakasura after that asura was killed by Your son Lord Subrahmanya in the battle between the gods and Tarakasura when the gods were defeated, You who were pleased with the chanting of mantras by the royal sage Suratha and the Vaisya named Samadhi who was himself like samadhi and who prayed for nirvikalpa samadhi, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

विजितसहस्रकरैक सहस्रकरैक सहस्रकरैकनुते

कृतसुरतारक सङ्गरतारक सङ्गरतारक सूनुसुते ।

 

सुरथसमाधि समानसमाधि समाधिसमाधि सुजातरते ।

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १७ ॥

 

17. Whoever constantly worships Your lotus feet, You who are the abode of compassion and who are auspiciousness itself, he will certainly be endowed with all prosperity. O Goddess Parvati, I who always meditate on Your lotus feet looking upon them as my ultimate refuge will certainly get it. O Goddess Lakshmi, who bestow everything on devotees, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

पदकमलं करुणानिलये वरिवस्यति योऽनुदिनं सुशिवे

अयि कमले कमलानिलये कमलानिलयः स कथं न भवेत् ।

 

तव पदमेव परम्पदमित्यनुशीलयतो मम किं न शिवे

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १८ ॥

 

18. Whoever sprinkles the sacred precincts of Your abode with water from a golden pot will attain the position of Indra by Your grace. O consort of Lord Siva, I take refuge at Your holy feet. Deign to bless me with all prosperity, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

कनकलसत्कलसिन्धुजलैरनुषिञ्चति तेगुणरङ्गभुवम्

भजति स किं न शचीकुचकुम्भतटीपरिरम्भसुखानुभवम् ।

 

तव चरणं शरणं करवाणि नतामरवाणि निवासि शिवम्

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ १९ ॥

 

19. Whoever repeatedly meditates on Your divine face adorned by the crescent moon, will he ever be rejected by beautiful women like those in Indra’s abode? O most valued treasure of Siva, why do You not fulfill my wishes, You who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You.

तव विमलेन्दुकुलं वदनेन्दुमलं सकलं ननु कूलयते

किमु पुरुहूतपुरीन्दु मुखी सुमुखीभिरसौ विमुखीक्रियते ।

 

मम तु मतं शिवनामधने भवती कृपया किमुत क्रियते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ २० ॥

 

20. O Goddess Uma, deign to bestow on me also Your compassion, You who are always inclined to shower compassion on the weak, O Goddess Rama, may You be hailed as the Mother of the universe. You are my mother also. I too am Your son. You may reject my prayer if it is not proper. Deign to remove my sorrow.

अयि मयि दीन दयालुतया कृपयैव त्वया भवितव्यमुमे

अयि जगतो जननी कृपयासि यथासि तथानुमितासिरते ।

 

यदुचितमत्र भवत्युररीकुरुतादुरुतापमपाकुरुते

 

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥ २१ ॥

21. (Salutations to the Divine Mother) You Must Bestow Your Grace on Me, O Mother Uma, Who is Compassionate to the Miserable. O Mother of the Universe; Just as Your Grace is Showered (on the Devotees), In the Same Manner are Your Arrows Scattered (on the Enemies). Please do Whatever is Appropriate at this time, O Worshipful Mother, to Remove My Sorrows and Afflictions which has become Difficult for me to bear. Victory to You, the Destroyer of the Demon Mahishasura, Who has Beautiful Locks of Hair and Who is the Daughter of the Mountain.

Here is the English  Pronunciation for same :

Ayi Giri-Nandini Nandita-Medini Vishva-Vinodini Nandi-Nute
Giri-Vara-Vindhya-Shiro-[A]dhi-Nivaasini Vissnnu-Vilaasini Jissnnu-Nute |
Bhagavati He Shiti-Kannttha-Kuttumbini Bhuri-Kuttumbini Bhuri-Krte
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 1 ||

Suravara-Varssinni Durdhara-Dharssinni Durmukha-Marssinni Harssa-Rate
Tribhuvana-Possinni Shangkara-Tossinni Kilbissa-Mossinni Ghossa-Rate
Danuja-Nirossinni Diti-Suta-Rossinni Durmada-Shossinni Sindhu-Sute
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 2 ||

Ayi Jagad[t]-Amba Mad-Amba Kadamba Vana-Priyavaasini Haasa-Rate
Shikhari Shiro-Manni Tungga-Himalaya Shrngga-Nija-[Aa]laya Madhya-Gate |
Madhu-Madhure Madhu-Kaittabha-Gan.jini Kaittabha-Bhan.jini Raasa-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 3 ||

Ayi Shata-Khanndda Vikhannddita-Runndda Vitunnddita-Shunnda Gaja-[A]dhipate
Ripu-Gaja-Ganndda Vidaaranna-Canndda Paraakrama-Shunndda Mrga-[A]dhipate |
Nija-Bhuja-Danndda Nipaatita-Khanndda Vipaatita-Munndda Bhatta-[A]dhipate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 4 ||

Ayi Ranna-Durmada Shatru-Vadho[a-U]dita Durdhara-Nirjara Shakti-Bhrte
Catura-Vicaara Dhuriinna-Mahaashiva Duuta-Krta Pramatha-[A]dhipate |
Durita-Duriiha Duraashaya-Durmati Daanava-Duta Krtaanta-Mate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 5 ||

Ayi Sharannaagata Vairi-Vadhuvara Viiravara-[A]bhaya Daaya-Kare
Tribhuvana-Mastaka Shula-Virodhi Shiro-[A]dhikrta-[A]mala Shula-Kare |
Dumi-Dumi-Taamara Dhundubhi-Naadam-Aho-Mukhariikrta Dingma-Kare
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 6 ||

Ayi Nija-Hungkrti Maatra-Niraakrta Dhumravilocana Dhumra-Shate
Samara-Vishossita Shonnita-Biija Samudbhava-Shonnita Biija-Late |
Shiva-Shiva-Shumbha Nishumbha-Mahaahava Tarpita-Bhuta Pishaaca-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 7 ||

Dhanur-Anussangga Ranna-Kssanna-Sangga Parisphurad-Angga Nattat-Kattake
Kanaka-Pishangga Prssatka-Nissangga Rasad-Bhatta-Shrngga Hataa-Battuke |
Krta-Caturangga Bala-Kssiti-Rangga Ghattad-Bahu-Rangga Rattad-Battuke
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 8 ||

Sura-Lalanaa Tatatheyi Tatheyi Krta-Abhinayo-[U]dara Nrtya-Rate
Krta Kukuthah Kukutho Gaddadaadika-Taala Kutuuhala Gaana-Rate |
Dhudhukutta Dhukkutta Dhimdhimita Dhvani Dhiira Mrdamga Ninaada-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 9 ||

Jaya Jaya Japya Jaye-Jaya-Shabda Para-Stuti Tat-Para-Vishva-Nute
Jhanna-Jhanna-Jhin.jhimi Jhingkrta Nuupura-Shin.jita-Mohita Bhuuta-Pate |
Nattita Nattaardha Nattii Natta Naayaka Naattita-Naattya Su-Gaana-Rate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 10 ||

Ayi Sumanah-Sumanah-Sumanah Sumanah-Sumanohara-Kaanti-Yute
Shrita-Rajanii Rajanii-Rajanii Rajanii-Rajanii Kara-Vaktra-Vrte |
Sunayana-Vi-Bhramara Bhramara-Bhramara Bhramara-Bhramara-[A]dhipate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 11 ||

Sahita-Mahaahava Mallama-Tallika Malli-Tarallaka Malla-Rate
Viracita-Vallika Pallika-Mallika Jhillika-Bhillika Varga-Vrte |
Shita-Krta-Phulla Samullasita-[A]runna Tallaja-Pallava Sal-Lalite
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 12 ||

Avirala-Ganndda Galan-Mada-Medura Matta-Matanggaja-Raaja-Pate
Tri-Bhuvana-Bhuussanna Bhuuta-Kalaanidhi Ruupa-Payo-Nidhi Raaja-Sute |
Ayi Sudatii-Jana Laalasa-Maanasa Mohana Manmatha-Raaja-Sute
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 13 ||

Kamala-Dala-[A]mala Komala-Kaanti Kalaa-Kalita-[A]mala Bhaalalate
Sakala-Vilaasa Kalaa-Nilaya-Krama Keli-Calat-Kala Hamsa-Kule |
Alikula-Sangkula Kuvalaya-Mannddala Mouli-Milad-Bakula-Ali-Kule
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 14 ||

Kara-Muralii-Rava Viijita-Kuujita Lajjita-Kokila Man.ju-Mate
Milita-Pulinda Manohara-Gun.jita Ran.jita-Shaila Nikun.ja-Gate |
Nija-Ganna-Bhuuta Mahaa-Shabarii-Ganna Sad-Gunna-Sambhrta Keli-Tale
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 15 ||

Kattitatta-Piita Dukuula-Vicitra Mayukha-Tiraskrta Candra-Ruce
Prannata-Suraasura Mouli-Manni-Sphura d-Amshula-Sannakha Candra-Ruce
Jita-Kanaka-[A]cala Mouli-Mado[a-Uu]rjita Nirbhara-Kun.jara Kumbha-Kuce
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 16 ||

Vijita-Sahasra-Karaika Sahasra-Karaika Sahasra-Karaika-Nute
Krta-Sura-Taaraka Sanggara-Taaraka Sanggara-Taaraka Suunu-Sute |
Suratha-Samaadhi Samaana-Samaadhi Samaadhi-Samaadhi Sujaata-Rate |
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 17 ||

Pada-Kamalam Karunnaa-Nilaye Varivasyati Yo-[A]nudinam Su-Shive
Ayi Kamale Kamalaa-Nilaye Kamalaa-Nilayah Sa Katham Na Bhavet |
Tava Padam-Eva Param-Padam-Ity-Anushiilayato Mama Kim Na Shive
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 18 ||

Kanaka-Lasat-Kala-Sindhu-Jalair-Anussin.cati Te-Gunna-Rangga-Bhuvam
Bhajati Sa Kim Na Shacii-Kuca-Kumbha-Tattii-Parirambha-Sukha-[A]nubhavam |
Tava Carannam Sharannam Kara-Vaanni Nata-Amara-Vaanni Nivaasi Shivam
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 19 ||

Tava Vimale[a-I]ndu-Kulam Vadane[a-I]ndu-Malam Sakalam Nanu Kuula-Yate
Kimu Puruhuuta-Purii-Indu Mukhii Sumukhiibhir-Asou Vimukhii-Kriyate |
Mama Tu Matam Shiva-Naama-Dhane Bhavatii Krpayaa Kimuta Kriyate
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 20 ||

Ayi Mayi Diina Dayaalu-Tayaa Krpaya-Iva Tvayaa Bhavitavyam-Ume
Ayi Jagato Jananii Krpayaasi Yathaasi Tathanu-mita-Asira-Te |
Yad-Ucitam-Atra Bhavatyurarii-Kurutaa-Duru-Taapam-Apaakurute
Jaya Jaya He Mahissaasura-Mardini Ramya-Kapardini Shaila-Sute || 21 ||

Here is the YouTube link for same: 

 

 

With thanks and Regards,

Rakesh Singh Jamwal

Source and Reference:

Translation by S.N Shashtri

http://mocomi.com

 

Case Study: How to find or determine Career in Astrology, Profession type, work profile and choice of ideal Profession by use of Varnada Lagna Technique.

 

Career Identification or choice of Profession in society by Varnada Lagana (VL)

Introduction

Varnada Lagna (VL) is an Another important tool to identify true nature of Career or Karama in society by  Determining the in-between sign of the Lagna and Hora Lagna. The question is what actually is VL or Varṇa-da Lagna?. Varna-Da Lagana simply responsible for sustaining the Lagna or Native as by its actions in the society based on the past actions or Karma one got in current birth as an individual Varna. It simply gives food or provides Necessary Karama to the Lagna to sustain it.AL shows what actually you are doing in society but VL shows how you are sustaining the Image in society by doing certain karmas in society. What karma we do simply proceed our life in that direction in society.

Varna Means – Caste or class we get in this birth by our past actions based on we do occupation  i.e if we are indulging in Brahmin Karma in past even we are Belong from Kshatriya in past we preciously belongs to Brahmin via Karma our actions in past i.e We might be Reading Shashtras, Vedas, Mantras or might be doing traditional works and result of this  we will get the birth in Brahmin Class in next birth.

The ‘da’ in ‘Varnada’ means “To Give, Like Da-Da-ti in Sanskrit is Dadaati is to give ” – Here Da is three objectives given by the Lord bramaha to each different classes in Deva, Mansuhya, and Rakashas. Here three Gana’s are Inherent nature of human being, Godly, humanly or Devilish means what is required in society for the creation and need for creating the harmonic balance in Samaj- Society.

Deva – (Dama- Means one has to control senses or conquering) – Devas Inherent nature is Enjoyment -Living in Sukha – So One should observe self-control, try to keep avoid over indulgence and pleasurable life, unlike the devas who always enjoy promiscuously.

Manusya- (Dana- Means one has to give without any desire) –  Manshuya Bhava of Humanity, Helping each other, giving others to those are in need – giving others – One should give, sacrifice for the social cause, not unlike those manusya who always lives in greed and seek for motives.

Rakshasa – (Daya- Karuna, Being Human, Forgiveness, means having let it go nature) –  Try to forgive others –  One should be merciful, Soft, Polite, forgiver unlike the raksasa who are always ruthless.

The Varnada Lagna is simply a clue to or a presentation of the class in society, through humans fulfill’s, or neglect, these objectives or goals gave by the Lord Brahma as a prime objective or role in society to have a smooth work of creation for Mansuhya Yoni. Simply VL shows what we should do in society in order to sustain our karma  given based on the past duties.

Varna-Da preciously depends on the karma we did in the previous life those decides our birth varna and those karma we are performing in this current life can redefine our varna for next birth. Both the two Lagans (D1 and VL) work in pairs whereas the Lagna in actual reality act and reacts for the body need and requirement and the Varṇada sustains those acts of the Lagna as Karama in society. Varṇada Lagna doesn’t show any abilities or one skill  or sources of income, instead, it shows what you are meant for doing and what you mean to do to sustain yourself in the society.

According to Classical approach as mentioned in Bhagwad Geeta, There are four main Varṇas systems which are meant to uphold dharma and Karama. Therefore it is for sure from Dharma that one finds a purpose of life and performs that karma in Society.

In Simpler language, Varna means caste, a division of system based on one’s class of Karama. 

There are 4 main basic caste systems –

Brahmin (Priest) – Scholarly and Knowledgeably Work – to Guide and Show path of light those are living in darkness.

Kshatriya (warrior) – Work of Courage i.e Army and Engineering – Protect others, work for society and fight for those who are need of Society.

Vaishya (Traders) – Business Class i.e Work of Import and export – Feed others, keep flowing the system of trade in order to maintain a balance.

Shudras (servants) – Service Industry or Day to day tasks – Serve others and nourish others in ground reality – Seva Bhav.

These varnas are important or vital clues to give a hint of one’s profession in current birth based on our past actions.

Each sign and planets have its own varna (caste).Whereas the placement of varnada lagna (VL) in Natal chart and the planet which it is conjoined tells us about the possible Karama may do or job one is likely to do in society for e.g.

Varnada lagna in fiery signs conjoined with fiery Mars/Sun/Ketu – Shows fiery jobs like engineering where one has to working with tools and higher level of technologies i.e working with Mathematical and Advanced Computing system as shown by Ketu.

Government, Army, Police Signified By Sun, whereas Working with Mechanical tools  like Screws, nuts, bolts  etc that’s too involves work of soldering, Mechanical or electrical sort work etc where one has to Serve & protect the society or serve the society via own abilities or skills, work for society for the necessitates and requirements all works are signified by Mars.

In Earlier times Mars Signifies by – Swords and Armours, Sun Signifies – Kingdom and Ketu – signifies Work of Seers.

In Actual Reality, Warriors do work for the society for uplifting the moral of the common man and to protect others those who are in need. In Other sense, they simply Protect and Serve Society via Political knowledge and bravery.

That’s why these days, all those public sectors jobs where bravery required is ruled by Kshatriya planets like Mars and Sun.

The purpose is to provide balance in law and order and to maintain equal balance and harmony in all the varnas in society for a smooth system.

In Modern days Scenarios Situation has been a bit changed, Mars taking place Jobs of Army, Mechanical Engineering, Working with Higher computing modular machines whereas in earlier days mars only rules War and Warriors. In Current time Sun Signifying govt Sector and Jobs involved in Administration sector like I.A.S, K.A.S, I.P.S etc. So this way one can easily identify nature of work via Karmas associated with the planets.

This is to be studied in conjunction with other indications of the chart. for e.g If Varnada(VL) is placed in watery signs (Brahmin) conjoined with Venus ( Brahmin Planet Signifies Material Knowledge)  then one can be involves in working in Mantra Shashtra, Astrology, Healing sciences or therapist, Counselling work, working in jeweler shop if there is link of Mercury involved to or in  film sector, Media sector or it can be in Movies or similar Venusian field means those works where one need to show path of light or cure or heal both physically, entertain other, as well as physiologically or emotionally.Entertaining is also another sort of healing therapy one when used to cheer up other via witty dialogues and character presentation.

Varnada lagna (VL) in watery signs conjoined Saturn can also shows one might be involved in doing daily day to day jobs where one has to follow same routines and same type of job every day. Due to conjunction with Watery Signs jobs those are linked with Food, Hotel or Restaurant industry like waiter or cook in hotels and restaurants can also be predicted.

Placement of VL in Kendras, trikona or Trik Bhavas plays important role in understanding how much level of work we can contribute to society with the support of society. VL placed in a Kendra to the Lagna shows a person who has the full support from his own society and family members in initiating his career. Kendras Bhavas are Vishnu Sthan – Signifies Sustaining power in society. Whenever VL is placed in 1,4,7 and 10th house one can easily get supports from his own society and his own family members to establish the career with good prosperity.This is considered as an one of Best placement for seeing good level of Material growth in Society.   If Varnada Lagana is occupied and owned by naturally beneficial planets then the native is strongly supported by the community and such family members indicated by that planets i.e Moon – Mother,Venus – Wife and Mars – Brothers, Mercury – Friend circle etc.

If malefic planets conjoin or lord the Varnada, then many strife, challenges and battles are indicated in sustain one work in Society. It may also indicated one has to fight for it against the society to sustain one Karamas. Varnada Lagna placed in trines to the Lagna shows a Skilled and Learned person with good level of adaptability and understanding to any community, and upholding the laws of that community for sustaining Karma.It usually indicated flexible kind of Personality who can easily work with any community to gain prosperity.

The Lord of  the Varnada, if it is a natural beneficial and so well placed in Natal Chart shows that the native can easily adapts into his career and is a strong supporter for his professional colleagues, but if that same planet is afflicted he is tormented by his colleagues and life in the office can be very difficult to sustain i.e VL is placed in 6th, 8th or 12th houses.

Placement of Varnada Lagna in a dusthana (sixth, eighth or twelfth house) from Lagna makes the native either shy away from the community or it can be indicated enjoying a life in seclusion, avoiding regular social functions and the community gatherings or it usually indicates one who always stand against the social society for opposing its view point or native might fight those view points in the society in an isolated way. Usually these kind of people are either work like a Filter in society or they act against societies.The reasons for the distancing are known from the nature of the lord of the dusthana. Varnada Lagna in the twelfth house makes the native highly antisocial but if beneficial planet is conjoined in VL or if VL lord is well placed with beneficial planet than results can be opposite. This placement can, if other factors are present,  can show demoniacal attitude towards his own community, which would enable him to do unlawful acts, such as crime etc or he act like a warrior to serve it or protect it.

The nature of the Lord of the Varnada shows the source of the Rajayoga. If afflicted then the native abdicates the throne. Varnada in 3rd house makes a native free of enemies and his relationship with the community constantly improving making the native happy and content. The native has parakrama (enterprise and daring) if associated with malefic planets. Similarly, if the Varnada is in the eleventh house, the community will be source of achieving the desires of the individual.

Benefic in Upchaya houses(2nd, 6th, 10th and 11th) from VL Shows what karma Sustains the Varnada in doing his natural work in society.

For e.g if Mercury is in 2nd form VL – One Will rise in Publishing business or any business where knowledge, logic and intelligence required and native will get help from social links to sustain his profession in society.

Rashi and Planets of Nature shows what type of work one do in society i.e all Watery trines Shows Brahmin work, All fiery trines shows engineering or courage’s work . all Earthy signs shows Business related work and all Airy signs shows day to day tasks or service oriented work .

Case Study:

In above mentioned case VL is  in Taurus Sign (Vaisya Varna – Business class) placed in 10th( Feeding to society) house from Lagana( Leo Lagana) which means there will be  full fledge support in society and family in whatever business or career one initiate. Natural Tendency or inherited work given based on past birth Karma would be working in some business linked with Venus.

In above mentioned Case Venus is Placed in 1st house(leo Lagana) with Mercury ( indicates Work those are connected with Engineering, telecommunication, IT, Mathematics and Computer oriented or business of those) and Saturn (Shudra Class – Works those are connected with Service industry or Managing other people or resources where day to day work involves in serving other).

So, choice of work is bit modified because of conjunction of Mercury and Saturn in Fiery Sign, reason being all are placed in Fiery  Sign – this clearly indicates Work based on Engineering and technologies.

As No planet is conjugated in VL in 10th house – VL Lord Leading choice of work in Society.

Lord of VL is Venus but fall in Brahmin Class but as it is placed in 1st House (Creative and Designing related work Will bring name and Fame in Society) in Leo Sign (Fiery – Engineering and Technologies Field will rule choice of work in society).

As Venus is placed in Uttraphalguni Nakashtra  (Venus Nakashtra also bit modifying it and Emphasis is given on work those of  healing others or Earning money via that learning Where public contact is required. This success is attributable to the inherent quality of behavioral techniques. Clearly indicating earning as commission out of the public dealings.  Based on Nakashtra and Venus Nature native is best suited in doing profession those linked with teacher, writer or research fellow in some sort of the scientific field, Work those are linked with mathematics, engineering, astronomy and astrology and even can also be successful in advertising business of those types.)

This has been clearly indicated in Varna-Da Lagana, as Ketu (Mathematical and computational work) is placed in 11th (Gain Via Same) from VL in 8th house (Work of Occult, Astrology, Astronomy and Mathematics related with it).

Now from above all it is clearly indicated Native is doing work of engineering related work where one need to manage, design and Work related technology- that’s pretty much true Native has own business related with software technologies and involves in Project management work where native need to to deal public-ally with clients as there is no planet placed in VL – Native is doing work of based on his learning in current.Planet in VL shows what is your natural work or profession one should do based on his past karmic actions. Lord of VL shows understanding and learning after getting concious as after one progress n this birth.

As Native has Ketu in 11th from VL – if Native try to work on Occult subjects I,e software related occult he will be more successful in society.

Source, Reference and links
A course on Jaimini Maharsi’s Updesha Sutras by Sanjay Rath
Varnada Lagana by Visti Larsen